Little did I know when I wrote my last post that it would mark the next step in development with my work situation. I should have known, I guess, because that last time, when I wrote about those pink socks and how they were related to being included and accepted in the team, it was that same, writing about it made a statement that brought some thoughts together and set more things in motion… Without going into too much detail here, I handed in my resignation from my job just before end of August, which now leaves me time until Dec 31 to find a new job.
Right now I am on vacation with my husband and have told myself I will be thinking about that problem seriously when we are back home, next week, but that is easier said than done. Ideas, thoughts and various scenarios are wavering through my head, but mostly I am pretty good about not actively searching. Mostly.
I went to Ste. Marie-aux-Mines with Heather Bennett, another member of the 20 Perspectives group, and friends from the German Guild. Heather and I put up the “Nature” exhibition of 20 Perspectives, and I had another quilt in the German Guild’s “Tradtion bis Moderne”.
|"I'll follow the Sun" in 20 Perspectives: Nature|
|"Mellowed Yellow" in Tradition bis Moderne|
Between stewarding in both these exhibitions I tried to see as much of the event, spread out through the valley, as possible.
Several exhibits were impressive, but the one that emotionally struck me most was by Pascale Goldenberg, the initiator of the Guldusi embroidery program. I have always admired her work, have taken two classes with her several years ago, and have been impressed with her involvement and dedication to start, run and maintain that program in Afghanistan, which she continues to do so even today, in the direst of circumstances. To have the strength and stamina to keep up producing own work, and at this degree of intensity is a sign of a true artist. She explains that a lot of her time is spent traveling, and so she has turned to handstitching as well.
will show some other pictures from EPM later, but right now I want to let
Pascale’s stand on her own. Although my pictures don't do the expressivity of her works any justice.