In
September I received a commission to save a much beloved slightly older quilt. Not
really antique, the owner had bought it new about 25 or 30 years ago, and
really used and loved it.
The fabric on
the back was worn thin, and ripped at the seam.
The
frontside has a nice traditionally executed Log Cabin Design, and it was tied –
luckily! I don’t know which kind of memories are connected to this quilt, but
it must mean a lot to the owner, because he had no hesitations when we did an
approximate calculation of the costs that would arise. Those costs wouldn’t
quite get him a new one, but it does give an indication what a special kind of
quilt this must be to him.
He bought a
grey print fabric for the new back, but was also considerate to choose one of my
hand-dyed fabrics as well and suggested that I include that into the new back
accroding to my decision. It was a 60-cm-piece, so something had to be done
with it, and eventually I cut large squares, which were then set off from each
other, mostly in one half of the back.
At first I
took out the ties and removed the back.
At that
point I realized that the fabric was ripped not only at the seam, but also at
the points where the ties had been attached. Originally we had thought it would
be possible to use the old back fabric for a new binding, in double or tripler
layers, to hold on to the original look as much as possible, but with holes
like this I took the liberty to decided that it needed a new fabric for the
binding as well.
It also
turned out that the patched front was rather faded, so I first checked back
with the owner whether he had realized the degree of fading, whether he still
wanted me to continue. He gave the ‘go’ signal,
I put the quilt onto the
longarm – and at that point I was beginning to feel nervous. It seemed rather
parallel to my own experience with my teddy bear, which has been with me since
I was less than half a year old.
This is not the very first baby picture in which the teddy bear appears, there is another one perhaps a couple of weeks earlier. But this is the first one in which the teddy bear is in full view. |
At some point in my life this teddy bear had assumed a rather haggard
look, lost much of its stuffing, and one eye as well, so I took it to be
repaired. After that it not only did not look familiar anymore, but it also had
a crossed eye. That in particular hadn’t been obvious to me when the repair person and I talked about a substitute eye, which was of a different make but had seemed similar enough in appearance and direction to justify being used.
Simply turning one of the eyes does not rectify the situation. Probably another serious operation would be necessary, but I am not sure the teddy bear wants to have that done... |
I
didn’t complain when I picked up the teddy bear, but it took a long time for me
to fully embrace this teddy bear again. And that experience now gave me hesitations
before I started quilting this quilt, which, after all, hadn’t been quilted
before.
I decided
to keep the pattern simple, no swirls and overabundant curves, just picking up
of the barn raising design with a bit of oval shapes, and straight lines in the
borders.
And then
the binding, for which I chose another small piece from my stash, matching in
color in patchwork style – close, close enough, but not entirely the same,
which was not possible.
I finished
the binding yesterday evening and the owner will come and pick it up on the
weekend. I am determined not to get nervous about how he likes the old teddy
bear in its renovated appearance...
You look to have done a brilliant job
ReplyDeletethe quilt came out great , well done
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