While up there, we took the opportunity and visited the German Museum of Emigration in the port of Bremerhaven . I have never been so
impressed with a museum as this one!
A migrant's luggage in the 1920s |
Uta 'on board' a migrant sailboard - it really felt as if the boat was heaving and swaying, and we could not figure out how they managed to get this effect! |
Many Germans emigrated to the US, and so part of the tour is a replica of New York's Grand Central Station, from where they would proceed to other cities. |
Perhaps it is the topic in the urgency of the current situation, perhaps it is the knowledge that at some point my paternal grandfather contemplated emigration to Brazil – what would have been, had he actually gone? And why did he not go after all, if the thought had been so serious that his children still passed on the tale many decades later? For one thing, I would not be alive, and the other thing is what does that tell me about his political standpoint in the early 1930s ... or was it merely economical...?
One evening
we went to the art museum late night opening, the Kunsthalle Bremen. One entire
room is currently alive with Sarah Morris’ painting Jardim Botânico ,
impressive, bold and inspirational in choice of colors and shapes.
Image taken from Sarah Morris' website |
Another
site-specific installation in the museum is James Turrell’s Above – Between –
Below, which extends over three floors of the museum and gives a different
perspective on each floor, looking up, looking and and down, and looking down.
I also took
mental note of several pieces exhibited in the museum to quote for my next (pending)
assignment in my online class with Jane Dunnewold. An evening very well spent!
For my parents, who emigrated in 1952, one possible destination was Argentina. But they followed my father's younger brother first to Quebec and then to Vancouver ... and the rest is history!
ReplyDeleteMelbourne has a counterpart museum - museum of immigration, also fascinating.
And the Turrell piece looks wonderful!