During the
Textile Art Symposium I fell a bit behind again with my Daily Art Project
because the whole week was so completely exhausting that it was simply
impossible to sit down and stitch a bit in the evening. But I had the brilliant
idea to at least choose a scrap every day and pin it to the foundation fabric.
Brilliant in that respect that the pressure kept mounting, and now that I have
been trying to catch up I keep spilling the pins all over the place and am not
quite certain that I manage to find them all again. So I might not be making
friends when people step into them sometime in the future…
But I have
returned to the routine during our holiday. I am catching up, in fact, I think
I am actually up to date. And I have also resorted to a relatively thorough
procedure in working myself through the book of embroidery stitches that I have
at hand. Instead of opening it up at random whenever I think I should try a
different stitch, I have begun in the back and am mentally ticking off the
various stitches after I have tried them. Some I don’t bother with if I think
they are not suitable to the project, but some I am determined to master
better. For example the bullion stitch. I had done that one before, but it had
completely dropped from my memory. Now I am trying to figure out for me decent
routine to be certain that it will actually look nice.
With some I
realize that I don’t like them. As with this one, ‘Braided Stitch’. Then I take
a different turn and do one which I know well and like.
Some I unwillingly
change - as with this zig-zag stitch,
in which I forgot the second downward bar
on the return. Might have to come back to this one and try the ‘correct’
version at a later point.
For this
one I should have used a thicker thread.
Some I make up myself.
Some are done quick and easy.
This is a view of the piece of linen I am currently working on.
I am
learning a lot with this project!
It's looking wonderful and rich. I use safety pins and tacking to attach scraps on my 'train stitching' pieces
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