At first I
was surprised because somehow it had not really registered with me that it is a
select show of thirty quilts – even greater the honor to be one of the three
artists represented with more than one quilt!
When
sitting down to look at the catalogue in detail I was struck by the variety of the pieces included. After all, despite the fact that the challenge had been to move
beyond the comfort zone of one’s artmaking until then, the artwork still had to
meet the definition of “art quilt” as stated on SAQA’s homepage.
I tried to
decide on a favorite – excluding my own ones, because, of course, I’m biased
about those. But I couldn’t make up my mind completely.
I love the
linework in ‘Mozart’ by Lynne Morin (all pictures taken from the catalogue - forgive the quality, my fault):
I love the
approach of ‘When Fog Lifts’ by Tamar Drucker – "use your scrap bag, it’s all
you’ve got!" And I was
thrilled by Sharon Bell’s two pieces, 'Cascade', and 'Streaming'. Both of these
capture the themes so clearly, but the simplicity and purity of design speak so
beautifully for themselves that they would be just as powerful if they came
without a title.
I sincerely
regret that I did not get to see the exhibit in Birmingham , and who knows whether I will be
able to see it anywhere at all...
Thanks to
Eileen Doughty who curated the exhibit, and to Deidre Adams for the beautiful
catalogue design.
The
catalogue can be ordered via SAQA's store. I certainly am going to get a
few copies to give away to friends.
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